Farm Girl Vintage

When Craig asked me what I wanted a couple Christmases ago, I didn't hesitate:  Lori Holt's Farm Girl Vintage book. I had recently discovered Lori's Bee In My Bonnet blog and immediately knew I needed to make a Farm Girl Vintage quilt. Or two.  The first was made for Cara's Evelyn and I somehow ended up with no pictures of that baby quilt (so how did THAT happen?). This second Farm Girl Vintage quilt was made for Caitlin's Lucas, with less pink and more blue, though Miss Piggy just has to be pink.

The book offers 45 Farm Girl Blocks with instructions for both 6" and 12" blocks. Even better, for us unimaginative types (did I mention I need a pattern?), there are layouts where you can plop your chosen squares into a quilt, table runner, table topper, wall hanging, pot holder ... so many options! I used the Country Fair Quilt Setting in the Small Version, which has 12 6" squares and finishes at 30 1/2" x 37 1/2", perfect for a baby quilt.

I need more practice in embroidering faces and other body parts, I was satisfied with Miss Piggy's tail, but Mr. Barn Cat's whiskers needed more work.  The instructions called for three strands of thread, but I really think two would have been better. I was worried about damaging the fabric by taking out the stitching more than once, so I just went with the second attempt. Definitely more practice needed, and I want to play around with different types of stitches. 

Some of the pieces in these blocks are less than an inch, and I've only recently read about using starch on fabric prior to cutting.  I never pre-wash my fabric:  I like that vintage look that a bit of shrinkage provides. If I make the 6" blocks again, I will not pre-wash, but I will starch the fabric to stabilize those small pieces and hopefully the blocks will be a bit more precise.

Elephant Parade

Yet another baby blanket, this time for a co-worker. I started looking for elephant patterns when Lisa first announced she was expecting and found the Elephant Parade quilt pattern at SewFreshQuilts. 
Better yet, the pattern had been the subject of a quilt-along back in 2015 and many participants had linked photos of their finished blocks and quilts. I always love to see the variety of colors and variations on a pattern. I am such a rule-follower, seldom varying from any given set of instructions, and am always in awe of the ways others find to express their creativity and individuality.

I love Dear Stella fabrics and had already admired the Welcome to the Jungle collection.  The blue, black and yellow giraffes from this collection are actually my favorites, but only elephants would do for Lisa and her baby-boy-to-be.  Dear Stella also has a line called Scallop Dot, offered in a variety of colors in different collections, and the blue, green, and pink coordinated perfectly with the Welcome to the Jungle Elephants. Instead of using a pure white background, I chose a fabric with a white background with gray spirals, the reverse of the fabric used for Mr. Elephant's ear.

Mr. Elephant was very fun to make, although it makes me nervous to sew toys. The pattern called for the ears to be hand-sewn on to the body, but not wanting any parts to detach and become a hazard, I added a good half-inch to the width of the pattern and sewed the ears into a vertical seam. The seam created small tucks at the top and bottom of the ear, but elephants aren't exactly smooth so I decided the tucks are reminiscent of an elephant's wrinkles. I also machine quilted the tale pieces and sewed them securely into the seam and added a zig-zag finish to the inside seam.  Those ears and that tail are not coming off unless under extreme duress.

The spiral edge-to-edge quilting mimics the spiral print of the background fabric. I had hoped for a bit of sunshine while taking pictures, but the clouds and wind persisted. Charlotte and her sister wandered over to see what I was doing and we chatted until my fingers were too cold and numb to care whether the pictures were adequately detailed.

Home is Where the Heart Is

The Home is Where the Heart Is quilt pattern combines my two favorite quilting motifs:  hearts and houses. Kyle and Becky opted out of knowing the baby's gender before birth so the only thing I had to work with was teal, Becky's favorite color.  Emboldened by her declaration that "Boys can wear pink!" I chose prints from Maywood Studio's Roam Sweet Home fabric collection. I was first attracted to the collection by the Pennant Patchwork print, which reminds me of another favorite motif:  bunting.

I used Pennant Patchwork for the backing and the quilt was small enough that the backing did not need to be pieced. I love every single color and pattern in this fabric.

It is quilted with Loopy Hearts, which seems perfect. The quilt turned out a bit more ... well ... girlie than I had intended. But I hope all those hearts convey to Louis, born on Christmas Eve 2017, how much he is loved and cherished.

Nativity

Christmas came and went all too quickly so I am happy I started looking for a Christmas present project fairly early. I found these sweet nativity scenes on Pinterest and it turns out that the year of the house remodel was the perfect year for this project. I have an aversion to vacuuming carpeted stairs and convinced Craig to replace the carpet on the stairs with hardwood at the same time we replaced the upstairs carpet. The scraps of maple left over from the stair project were perfect and I just had to purchase heads from Joanne's. And chalk paint, which I have always wanted to try out.

I love the distressed look and read up on how to achieve it with chalk paint. Several articles suggested Vaseline and I tried that approach first. This technique is a bit messy and difficult to control the results, though I think it would work better on larger projects. Since we have a (seemingly) endless supply of every grade of sandpaper imaginable (or so it seems to me), I just painted the pieces then used a very fine finishing sandpaper to achieve the amount of distressing I wanted. I got carried away a few times and had to repaint a couple of pieces, but got the hang of it pretty quick.

I had sage green burlap on hand, left over from office Halloween decorations, which worked well for Mary's shawl. I love it when craft supplies have multiple uses!

Scrappy Trees

For finals week we all contributed a little something for goodie bags for our work-study students. I made seven of these cute little trees, finally using some of the little scraps I've saved for years. The flying geese rectangles use 1.5 inch squares and I decided that I could sew a straight line for 1.5 inches and didn't pencil in the customary diagonal line from corner to corner. As it turns out, I can't sew a straight line for 1.5 inches and my trees turned out a bit wonky. Which I decided just adds to the charm of these handmade ornaments. When I took them to work, my co-workers also wanted one, so I made seven more. And then I made another handful to share with friends and tie on Christmas packages. And I'm thinking I may need yet another handful to decorate the containers of caramel corn we will distribute to the neighbors. Turns out, my policy of saving little scraps of fabric is not that crazy after all.

Boise Wedding

 

Rob and Courtney's wedding made my Top 5 List of Best Weddings of All Time. Unsure of the travel time from Boise, we decided to make a dry run to the Red Chair Lavender Farm on Saturday morning.  We arrived just as the owner was mowing the field, dew sparkling on the freshly cut grass. As Craig was chatting with the owner--it was assumed that we were part of the wedding party--I tentatively started exploring and immediately fell in love with the venue.  What a fantastic place! It was difficult to tear myself away when the real wedding party arrived to begin preparations; however, etiquette won out and we made our way back to Boise to run our appointed errands prior to the afternoon wedding.  We picked up Grandpa's suit that arrived with the Salem contingent, delivered it, returned for the forgotten dress shirt and delivered that and had just a few minutes to chat before returning to the farm for the wedding.

And it was a lovely wedding.  The fall day was warm and the smell of lavender drifting on the breeze was absolute perfection. The country setting was rustic yet charming, with a slant toward the whimsical.  An iron bed frame in a sea of tiny white flowers, dozens of birdhouses crafted from an assortment of random materials (the Texas license plate roof was a personal favorite), bundles of drying lavender hanging from the rafters, the colorful tin rooster casually leaning against the side of the barn (another favorite) ... such a special place that inspires wonder and amazement, delights the senses, and fills the heart with happiness.

Before returning to the hotel, we stopped by Rob and Anna's house and chatted on the deck as the sun set over Boise. Very happy trip.

Third Street Neighborhood

More scrappy houses, this time for a wedding. I found the Third Street Neighborhood quilt pattern on Etsy and though I'm usually not a fan of black and white prints, this particular pattern--with its colorful doors--intrigued me. I originally planned to bind the quilt with the same fabric used for the backing--a pure white with black and gray Queen Anne's lace print--but at the last minute was inspired to use the same solid red as a couple of the doors. I am still undecided if that was a good design choice, although everyone who saw the finished quilt loved the red binding. I am just a pastel sort of person at heart. The quilting is a whimsical design with hearts and spirals, reminiscent of Dr. Seuss, which softens both the bold colors and geometrical shapes and suggests a Home Is Where The Heart Is theme.

We delivered the quilt this weekend to Rob and Courtney's wedding, which was a completely lovely event.